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	<title>The Freeman View</title>
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	<link>http://thefreemanview.com</link>
	<description>OCA's Photography course author Michael Freeman in discussion.</description>
	<pubDate>Fri, 27 Aug 2010 15:48:27 +0000</pubDate>
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		<title>A Camera Profile</title>
		<link>http://thefreemanview.com/techniques/a-camera-profile/</link>
		<comments>http://thefreemanview.com/techniques/a-camera-profile/#comments</comments>
		<pubDate>Fri, 27 Aug 2010 14:52:01 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Michael's Techniques]]></category>

		<category><![CDATA[OCA Photography Courses]]></category>

		<category><![CDATA[camera profile]]></category>

		<category><![CDATA[colour profile]]></category>

		<category><![CDATA[GretagMacbeth]]></category>

		<category><![CDATA[lighting]]></category>

		<guid isPermaLink="false">http://thefreemanview.com/?p=2412</guid>
		<description><![CDATA[You don&#8217;t hear much about colour management these days, thank goodness, largely because computer operating systems and software applications manage to take care of it semi-automatically. (...)]]></description>
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		<item>
		<title>The Clichéd View - part one</title>
		<link>http://thefreemanview.com/observations/the-cliched-view-part-one/</link>
		<comments>http://thefreemanview.com/observations/the-cliched-view-part-one/#comments</comments>
		<pubDate>Fri, 27 Aug 2010 14:49:04 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Observations]]></category>

		<category><![CDATA[cliche]]></category>

		<category><![CDATA[cliched photography]]></category>

		<category><![CDATA[finest view in England]]></category>

		<category><![CDATA[Jenny Holzer]]></category>

		<category><![CDATA[Steve Vidler]]></category>

		<category><![CDATA[stock photography]]></category>

		<guid isPermaLink="false">http://thefreemanview.com/?p=2406</guid>
		<description><![CDATA[Clichés may be a little less common in photography than in, say, writing, but I would argue that they are more of a problem. The reason is that they are more difficult to avoid. (...)]]></description>
		<wfw:commentRss>http://thefreemanview.com/observations/the-cliched-view-part-one/feed/</wfw:commentRss>
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		<item>
		<title>Jose Navarro</title>
		<link>http://thefreemanview.com/featured_photographer/jose-navarro/</link>
		<comments>http://thefreemanview.com/featured_photographer/jose-navarro/#comments</comments>
		<pubDate>Thu, 12 Aug 2010 14:03:22 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Featured Photographer]]></category>

		<category><![CDATA[crofters]]></category>

		<category><![CDATA[crofting]]></category>

		<category><![CDATA[documentary photographer]]></category>

		<category><![CDATA[Hebrides]]></category>

		<category><![CDATA[Holga]]></category>

		<category><![CDATA[jose navarro]]></category>

		<category><![CDATA[photography]]></category>

		<category><![CDATA[sustainable lifestyle]]></category>

		<category><![CDATA[trashumantes]]></category>

		<category><![CDATA[tutor]]></category>

		<guid isPermaLink="false">http://thefreemanview.com/?p=2337</guid>
		<description><![CDATA[José Navarro
José Navarro is a documentary photographer in the humanist tradition,  with an MA in the subject from the University of Wales, and who also  happens to be one of our tutors at the Open College of the Arts. (...)]]></description>
		<wfw:commentRss>http://thefreemanview.com/featured_photographer/jose-navarro/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Widescreen (part 1)</title>
		<link>http://thefreemanview.com/techniques/widescreen-part-1/</link>
		<comments>http://thefreemanview.com/techniques/widescreen-part-1/#comments</comments>
		<pubDate>Thu, 01 Jul 2010 12:02:16 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Michael's Techniques]]></category>

		<category><![CDATA[Baraka]]></category>

		<category><![CDATA[Panavision]]></category>

		<category><![CDATA[panoramic]]></category>

		<category><![CDATA[wide angle]]></category>

		<category><![CDATA[wide frame]]></category>

		<category><![CDATA[wider]]></category>

		<category><![CDATA[widescreen]]></category>

		<guid isPermaLink="false">http://thefreemanview.com/?p=2305</guid>
		<description><![CDATA[One of the more obvious uses of a wide frame is the panoramic landscape, where the subject material is horizontal to begin with, and both sky and close foreground are less interesting. (...)]]></description>
		<wfw:commentRss>http://thefreemanview.com/techniques/widescreen-part-1/feed/</wfw:commentRss>
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		<item>
		<title>Wider</title>
		<link>http://thefreemanview.com/observations/wider/</link>
		<comments>http://thefreemanview.com/observations/wider/#comments</comments>
		<pubDate>Thu, 01 Jul 2010 11:52:15 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Observations]]></category>

		<category><![CDATA[Linhof]]></category>

		<category><![CDATA[panoramic]]></category>

		<category><![CDATA[panoramic photography]]></category>

		<category><![CDATA[wide angle]]></category>

		<category><![CDATA[wider]]></category>

		<category><![CDATA[widescreen]]></category>

		<guid isPermaLink="false">http://thefreemanview.com/?p=2303</guid>
		<description><![CDATA[When you sit back and watch your new HD television, the shape you are looking at has a history. It also has a future, because it is influencing more than you might imagine. (...)]]></description>
		<wfw:commentRss>http://thefreemanview.com/observations/wider/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Martin Reeves</title>
		<link>http://thefreemanview.com/featured_photographer/martin-reeves/</link>
		<comments>http://thefreemanview.com/featured_photographer/martin-reeves/#comments</comments>
		<pubDate>Wed, 09 Jun 2010 11:49:43 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Featured Photographer]]></category>

		<category><![CDATA[Ankor]]></category>

		<category><![CDATA[asia]]></category>

		<category><![CDATA[film photography]]></category>

		<category><![CDATA[infra red]]></category>

		<category><![CDATA[ir film]]></category>

		<category><![CDATA[Martin Reeves]]></category>

		<category><![CDATA[photography]]></category>

		<guid isPermaLink="false">http://thefreemanview.com/?p=2250</guid>
		<description><![CDATA[Raised in Brighton on England’s Channel coast, Martin Reeves created for himself a unique photographic career, one in which he combined a subject and a process both of which hold for him an aura of magic — pre-modern Asia and black-and-white infrared film. (...)]]></description>
		<wfw:commentRss>http://thefreemanview.com/featured_photographer/martin-reeves/feed/</wfw:commentRss>
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		<item>
		<title>Cary Wolinsky</title>
		<link>http://thefreemanview.com/featured_photographer/cary-wolinsky/</link>
		<comments>http://thefreemanview.com/featured_photographer/cary-wolinsky/#comments</comments>
		<pubDate>Thu, 29 Apr 2010 12:22:45 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Featured Photographer]]></category>

		<category><![CDATA[animal photography]]></category>

		<category><![CDATA[Hiro]]></category>

		<category><![CDATA[National Geographic]]></category>

		<guid isPermaLink="false">http://thefreemanview.com/?p=2161</guid>
		<description><![CDATA[Cary Wolinsky began working as a photojournalist for the Boston Globe in 1968 while completing a degree in journalism at Boston University&#8217;s School of Communications. (...)]]></description>
		<wfw:commentRss>http://thefreemanview.com/featured_photographer/cary-wolinsky/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Minimalism</title>
		<link>http://thefreemanview.com/techniques/minimalism/</link>
		<comments>http://thefreemanview.com/techniques/minimalism/#comments</comments>
		<pubDate>Mon, 19 Apr 2010 10:27:33 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Michael's Techniques]]></category>

		<category><![CDATA[Japanese minimalism]]></category>

		<category><![CDATA[minimalism]]></category>

		<category><![CDATA[minimalist]]></category>

		<category><![CDATA[minimalist photography]]></category>

		<category><![CDATA[Modernism]]></category>

		<guid isPermaLink="false">http://thefreemanview.com/?p=2107</guid>
		<description><![CDATA[The word minimalist seems to be in the process of being dumbed down. Or at least it has been so over-used that for most people it has become no more than a catchword. (...)]]></description>
		<wfw:commentRss>http://thefreemanview.com/techniques/minimalism/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Why is photography so American?</title>
		<link>http://thefreemanview.com/observations/why-is-photography-so-american/</link>
		<comments>http://thefreemanview.com/observations/why-is-photography-so-american/#comments</comments>
		<pubDate>Wed, 07 Apr 2010 11:58:13 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Observations]]></category>

		<category><![CDATA[American]]></category>

		<category><![CDATA[Dorothea Lange]]></category>

		<category><![CDATA[Gretchen Garner]]></category>

		<category><![CDATA[National Geographic]]></category>

		<category><![CDATA[Walker Evans]]></category>

		<guid isPermaLink="false">http://thefreemanview.com/?p=2144</guid>
		<description><![CDATA[Most Americans think of the twentieth century as essentially an American century, and with good reason. (...)]]></description>
		<wfw:commentRss>http://thefreemanview.com/observations/why-is-photography-so-american/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Worlds Apart</title>
		<link>http://thefreemanview.com/observations/worlds-apart/</link>
		<comments>http://thefreemanview.com/observations/worlds-apart/#comments</comments>
		<pubDate>Mon, 01 Mar 2010 09:12:17 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Observations]]></category>

		<category><![CDATA[Al thani]]></category>

		<category><![CDATA[Al-Thani award]]></category>

		<category><![CDATA[Eggleston]]></category>

		<category><![CDATA[fine art]]></category>

		<category><![CDATA[william egglestone]]></category>

		<guid isPermaLink="false">http://thefreemanview.com/?p=2099</guid>
		<description><![CDATA[I was just reading a review in the Financial Times of two new gallery shows featuring William Eggleston, viewable here&#8230;
It begins, “To his army of fans, William Eggleston is a photographer who can do no wrong.” Now I don’t count myself a fan of Eggleston. (...)]]></description>
		<wfw:commentRss>http://thefreemanview.com/observations/worlds-apart/feed/</wfw:commentRss>
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